Lynne Browne Art Collections
Shop for artwork from Lynne Browne based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Subjects
Shop for artwork based on subjects. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Lynne Browne
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.

Fairytail Land by Lynne Browne

Chubbin' Around by Lynne Browne

Orange Cups by Lynne Browne

Pillar of Life by Lynne Browne

Left Turn by Lynne Browne

Undercover by Lynne Browne

The Wave by Lynne Browne

Reflections on a Southern Ray by Lynne Browne

Squid Pro Quo by Lynne Browne

The Nursery by Lynne Browne

Stop Look and Listen by Lynne Browne

Heading In by Lynne Browne

Cutie Beauty by Lynne Browne

Damsel, No Distress by Lynne Browne

Friendly Queen by Lynne Browne

Young Queen by Lynne Browne

Blue School by Lynne Browne

Dori's Cousin by Lynne Browne

Spots and Stripes by Lynne Browne

Not A Clown by Lynne Browne

The Princess and the Grouper by Lynne Browne

Redband Fan by Lynne Browne

Mi Casa by Lynne Browne

Open Wide by Lynne Browne
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About Lynne Browne
I tried snorkeling on a trip to Hawaii and immediately was hooked on coral reefs. When I returned home, I signed up for scuba certification classes and found out that for medical reasons I could never be certified. Undaunted, I continued snorkeling and became a proficient free diver. I introduced my husband, Terry Melius (also a Fine Art America member), to snorkeling in 2000 and we've been snorkeling together ever since. In 2006 we purchased our first underwater cameras and began taking underwater photographs. Our first attempts at underwater photography were disappointing and we soon realized that we had much to learn. Taking photos while free diving is very challenging because the water, the subjects, and the photographer are all moving. Also, we can't use strobe lights because the force of the water as we dive pushes them out of place and we don't have time to reset them before taking a shot. In order to overcome these limitations, I decided that I would have to learn about post-processing our images. I signed up for classes at the Smithsonian Institution were I met my mentor, Eliot Cohen. By trial and error we also learned the best ways to time our shots and make use of the natural light available at 12-15 ft depths. Overtime, our photography improved and by 2008 we were selling our work at photography and other art shows. In 2010, we joined our first gallery. Our underwater photography can currently be seen at Dragonfly Galleria in Cambridge, MD.